Cover Omonero

OMONÉRO

New Music for the Zither

  • reviews
  • text

    OMONÉRO - New Music for the Zither

    On the periphery of the performing arts — on the fraying edge, if one will — wondrous discoveries can be made. Not long ago, it looked as if the zither would forever remain a captive of its own stereotype. And yet, the instrument has recently experienced an astonishing Renaissance, especially in the area of contemporary music. The scope of sounds available on the zither is seemingly inexhaustible. The instrument commands a range of 5 ½ octaves, with five strings over a fretboard and 34 open strings.

    This rise in popularity may be attributed not only to a young generation of interpreters, but also to the successful efforts of zither craftsmen to modify the instrument to meet the demands of contemporary music. Perhaps the most important factor, however, has been a new, unorthodox approach to the instrument by composers, freeing it from its traditional role as an elicitor of nostalgic yearnings. From feeble beginnings in the 1970s (with works, for ex., by Mauricio Kagel and Walter Zimmermann), the zither movement has gained new impetus. We now have works for zither by such composer prominence as Bernhard Lang, Olga Neuwirth, Dieter Schnebel and Georg Friedrich Haas.

    The compositions available on this CD represent five very different approaches to the zither: Leopold Hurt’s LOGBUCH developed out of improvisations; SAMMELSURIUM, by Dieter Schnebel, is post-serial music; introspective tracings and reflections characterize KLEINE GÖTTERMUSIK by Franz Hautzinger; Manuela Kerer’s subtly funny IMPRESA OMONÉRO is innovative and zestful; and Georg Friedrich Haas’s EIN SAITENSPIEL reflects his microtonal sound cosmos.

    track list

    » Leopold Hurt (*1979) LOGBUCH (Hommage à K.V.), 2007
    01 Erster Eintrag 03:35
    02 Zweiter Eintrag 04:22
    03 Dritter Eintrag 03:41
    » Dieter Schnebel (*1930) Sammelsurium, 2006
    04 wie? 01:13
    05 Auf! 01:26
    06 so oder so 01:40
    07 vielleicht... 00:55
    08 ja! ja! ja! 00:37
    09 nein, nein... oder? 01:08
    10 und doch! 01:29
    11 nach und nach 02:06
    12 nochmals 00:42
    » Franz Hautzinger (*1963) kleine Göttermusik, 2009
    13 Göttertisch 02:35
    14 Göttertrank 02:58
    15 Götterspeise 01:12
    16 Godess 01:43
    17 Goldstaub 01:37
    18 Göttertisch II 00:46
    19 Göttertisch 01:23
    » Manuela Kerer (*1980) Impresa Omonéro, 2009
    20 Gedanken (ver)MISCHEN 00:38
    21 Austeilen haal 01:19
    22 Ziehen hinterfotzig 03:09
    23 Paare ablegen hinterrux 00:59
    24 Farbe bekennen fregiert 02:35
    25 HETSCHEPETSCH Strof 01:01
    » Georg Friedrich Haas (*1953) 2001
    26 Ein Saitenspiel für umgestimmte Diskantzither 09:08
    Instrumente:
    Altzither Klemens Kleitsch 2003: 1.-3.
    Diskantzither Klemens Kleitsch 2007: 4.-11., 13.-19., 20.-25.
    Diskantzither Ulrike Meinel 2003: 26.
  • audio examples
  • order
    The CD is available from your dealer:
    label: Extraplatte, catalog number EX-SP 032-2
    or via E-Mail: Martin.Mallaun [at] uibk.ac.at
    price: 18€ excluding shipping costs

Cover zwischen steinen

zwischen steinen

Baroque lute music
and contemporary New Music for the Zither

  • text

    zwischen steinen

    Martin Mallaun - zither

    Martin Mallaun’s solo debut album zwischen steinen contrasts the magnificent compositions of Silvius Leopold Weiss, lutenist to the king, with music of our time.

    Born in Breslau, Silvius Leopold Weiss (1686–1750) learned the art of lute playing from his father Johann Jacob Weiss. After a stint in the Düsseldorf court orchestra and some years in Italy, Weiss spent most of the remainder of his life as a member of the Saxon court orchestra in Dresden. This orchestra prospered during the reigns of Augustus II the Strong and his successor Frederick Augustus II, boasting not only Weiss but also other highly prominent musicians of the day.
    Witnesses attest to Weiss’ unbelievable virtuoso facilities on the lute and to his propensity for brilliant improvisations. His pupil, the German lutenist, composer and writer on music Ernst Gottlieb Baron, attests in his Investigations on Lute Instruments (1727): “[Weiss] was the first to show that one could make more out of the lute than had been believed up till then,” and further, “Weiss’ manor of playing this instrument is the best, the most practical, the most gallant and the most perfect.” Weiss was highly acclaimed not only as a virtuoso, but also as a composer. Johann Nikolaus Forkel, the first biographer of J. S. Bach, asserted that the Weiss compositions were written “in pure and pithy taste ... approximating in this respect the keyboard works of the late Joh. Seb. Bach.

    Weiss wrote his Suite in f-moll and his Tombeau sur la mort de Mr. Cte de Losy lute. Martin Mallaun has transcribed the original tablature and arranged the composition for the alto zither.

    track list

    » Silvius Leopold Weiss (1686 – 1750)
    01 Tombeau sur la mort de Mr. Cte de Losy 07:10
    » Robert Zollitsch (* 1966)
    02 zwischen steinen 11:59
    » Silvius Leopold Weiss Suite in f-moll
    03 Allemande 04:21
    04 Courante 04:01
    05 Bourrée 03:12
    06 Sarabande: adagio 06:15
    07 Menuet 03:08
    08 Gigue 03:55
    » Fredrik Schwenk (* 1960)
    09 Insaturabilien II 04:28
    Instrumente
    Altzither Klemens Kleitsch 2003: 1, 3-8
    Diskantzither Ulrike Meinel 2003: 2, 9
  • audio examples
  • order
    The CD is available from your dealer:
    label: Extraplatte, catalog number EX-SP 028-2
    or via E-Mail: Martin.Mallaun [at] uibk.ac.at
    price: 18€ excluding shipping costs
  • awarded Pasticcio Prize of Austrian Radio (Ö1)
    Pasticcio

“Omonéro” zeigt in bestechender Weise die klanglichen Möglichkeiten dieses oft unterschätzten Instruments auf.“
Österreichische Musikzeitschrift, 09/2010

“... immer spürt und hört man Hingabe und Authentizität, eine rundum gelungene Produktion.“
Saitenspiel, 4/2010

“Die Reduktion auf ein Instrument ist ein wunderbarer musikalischer Gedanke. Das Anhören dieser CD bedeutet bedingungsloser musikalischer Genuss.“
bockkeller, Zeitschrift des Wiener Volksliedwerks November 2010

“Ganz neue Musik für Zither, die von minimalistisch bis experimentell-witzig reicht.“
Kitzbüheler Anzeiger, 01.07.2010